
Cosmos•Atoms
Cosmic•Atomic
Christopher Boulton
United States
2022
Installation and Interactive Art
Short Film
An immersive journey through time and space.
Cosmic•Atomic synchronizes the short film Powers of Ten with its ancestors/descendants, placing the viewer inside a kaleidoscopic 360-degree ring of mirrored ascent/descent. The journey begins in the Netherlands with Kees Boeke’s Cosmic View: The Universe in 40 Jumps, a 1957 book that explores outer space and our inner selves through orders of magnitude. It then takes us, in turn, to Miami for Charles and Ray Eames’s 1968 “rough draft” film adaptation of Boeke’s book, to Montreal the same year for the National Film Board’s Cosmic Zoom version, to Chicago in 1977 for Powers of Ten, the Eames team’s final draft commissioned by IBM, to Venice in 1996 for the IMAX remake Cosmic Voyage, and finally to the Googleplex for the 2012 Cosmic Eye smartphone app. Charles Eames is said to have hoped that Powers of Ten would give ten-year-olds an “intuition” of the dimensions of scale, sweeping them up in an interstellar zoom of ever-increasing speed and expanding perspective before plunging them back down to a single proton. Cosmic•Atomic compresses the sixty years of scientific imagination that preceded/followed Eames’s vision and invites you to feel them all at once.
general information
edition
6th ECRÃ Festival
venues
16-24/07 - ONLINE
duration in min
10
premiere
Brazilian Premiere 6th ECRÃ Festival
indicative classification
L / Free for all audiences / Free for All Audiences
trailer/teaser/excerpt
content
-
tags
art house, big data, documentary, found footage, immersive
Christopher Boulton

As an erudite filmmaker, my creative work asks critical questions about identity, inequality, and memory. Life After Life (2018), a feature-length documentary about physically integrated dance, challenges stereotypes of race, age, and ability. Every Body Dances (2020) expands the accessibility of this project by adding captions and audio description for the hearing and visually impaired. Salvage (2020), an experimental film about power, aesthetics, and the consequences of taste, revives ancient objects to critique the historical asymmetries of gender, ethnicity, and class in consumer capitalism. Salvage has screened at over 30 festivals and won Best Video Essay at the Orlando Film Festival, Special Mention at DocsMX, Director’s Choice Award at the Thomas Edison Film Festival, and was published in the Hyperrhiz Journal of New Media Cultures. Cosmic•Atomic (2022) is a 360 video remake of my short film Power Trip (2018), which was shown at Filmwinter in Germany, Revelation in Australia, Beyond the Screen in Brazil and was published in the [in]Transition Journal of Videographic Film & Moving Image Studies.
more information
Best experienced with a headset while sitting in a rotating chair and wearing some form of VR glasses, but if viewed on a computer, the arrow keys can provide smooth rotation.