(Sempre) Ao Meu Lado
(Always) Next to Me
(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected.
I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.
The film is a compilation of significant and insignificant occurrences- an experiment in co-existence. As we go through our very human experiences and emotions, there is an entire surrounding ecosystem that bears witness, supports, and exists alongside [often with total indifference to] that experience.
The plants leave their image on the film, but my state of mind at the various points over the 9 months of production is also reflected in the care to layout and exposure that I exert over the material. The one rule I made for myself was that I had to use all the plants that I gathered, so some sequences are long and careless, while others are concise and delicately constructed. Stressful moments are revealed by the haphazard placement of random plants across the film strip, the times of serenity can be spotted by recurring patterns, and carefully selected leaves. A reminder that when we are not well grounded, we cause more destruction to the life around us- take more than we need.
5° Festival ECRÃ
data e hora
duração em min
Première Internacional 5° Festival ECRÃ
L / Free for all audiences / Livre Para Todos Os Públicos
arte, autobiográfico, documentário, ecologia
Obra Completa (se tiver online)
Emma Piper-Burket is a filmmaker, writer, and visual artist using fiction, non-fiction, and collected media to investigate interactions between nature, society, and the human spirit. Her work is process-based and research driven, incorporating social trends, ancient history, science, politics, ephemera, and the natural world into her creative practice. Emma has received support from Bemis Center for Contemporary Arts, Ebert Foundation, Sundance Institute, Light Cone, Visual Studies Workshop, Marble House Project, and Middlebury Script Lab, among others for her creative works; her writing appears in Reverse Shot and RogerEbert.com. She holds an MFA in Cinema and Digital Media from FAMU in Prague, and a BA in Arabic and Classical Studies from Georgetown University. She is a PhD candidate in Critical Media Practices at University of Colorado Boulder.